Through altered realisms, I map visual arguments in an attempt to create new perspectives, open eyes to untold stories and combat distorted truths. In a sense, art is the debate of my internal compass with the world around me. Mainstream pulpits have pre-defined ideals, norms and perspectives that contradict the opportunity of the individual. But through my roots in visual documentation and simple human inquisition, I work to fuse mediums and materials in order to develop and encourage communicative expansion. I reinvestigate facts and artifacts in order to mold them into visual dialogues, furthering that inquisition. It is through these investigations, thoughts ensue and questions surface.

My process hinges heavily on the application of consciousness. By seeing, walking with or listening to the fringes and frays of my environment, I learn visually and emotionally. Applying this practice to the simplest of things leads me to greater visual comprehension and heightened expressive perspective. I act as a collaborative messenger, using my skills as a storyteller in a more subjective and aggressive manner.